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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than the ...
Women playing the Shamisen, Tsuzumi, and Taiko in Meiji-era Japan. Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments.
The Story of the Irish Harp: Its History and Influence. North Creek Press. ISBN 0-9724202-0-7. Ireland: Rimmer, Joan (1969). The Irish Harp. Cork: Mercier Press for the Cultural Relations Committee. ISBN 0-85342-151-X. Japan: Adriaansz, Willem (1973). The Kumiuta and Danmono Traditions of Japanese Koto Music. Los Angeles: University of California.
A woman playing a koto, depicted in 1878 by Settei Hasegawa.. Danmono (Japanese: 段物) is a traditional Japanese style of instrumental music for the koto.The few pieces of its repertoire were mostly composed and developed in the seventeenth century, and all follow a strict form of composition.
In their current form, both instruments are what are described to be board zithers rather than half-tube zithers. The Japanese Koto is also a half-tube zither. [34] The ancestor of the koto was the Chinese guzheng. [35] [36] [37] [34] It was first introduced to Japan from China in the 7th and 8th century. [38]
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13. The instrument is also known as jūshichi-gensō ( 十七絃箏 ) , "17 stringed koto ", or "bass koto " (although koto with a greater number of strings also exist).
19th century yamato-goto (shown here without bridges); collection of the Tokyo National MuseumThe yamatogoto (大和琴 / やまとごと), also called wagon (和琴 / わごん) and azumagoto (東琴 / あずまごと), is a six- or seven-stringed plucked bridge zither which, unlike the koto and other stringed instruments, is believed to be truly native to Japan, and not imported from ...