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Acoustic blues [9] Barbecue Bob: 1902 1931 Georgia Acoustic blues [10] Ed Bell: 1905 1960s Alabama Piedmont blues [11] Gladys Bentley: 1907 1960 Pennsylvania Vaudeville blues [12] Black Ace: 1905 1972 Texas Country blues [13] Scrapper Blackwell: 1903 1962 North Carolina Urban blues [14] Blind Blake: 1896 1934 Florida Piedmont blues [15] Lucille ...
Janis Joplin later recorded a version of "Kansas City Blues", inserting the lyrics "Babe, I'm leavin', yeah I'm a-leavin' this mornin' / Goin' to Kansas City to bring Jim Jackson home". [9] Jackson was a major influence on the Chicago bluesman J. B. Lenoir. Jackson's "Kansas City Blues" was a regular fixture of Robert Nighthawk's concert set ...
Ed Andrews (fl. 1920s) was an American blues singer and guitarist, who made what are considered to be the first commercially released country blues recordings, in 1924, some three years before such releases became commonplace.
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues . Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
Blues and gospel singer, guitarist, and songwriter, one of the most popular blues singers of the 1920s, who has been called the "Father of the Texas Blues". [65] Herman E. Johnson (August 18, 1909 – February 2, 1975). Blues singer and guitarist. [66] Lonnie Johnson (February 8, 1899 [disputed, possibly 1889 or 1894] – June 16, 1970).
Electric blues musician, one of a very small number of blues musicians to play the mandolin. [23] Louise Johnson. Singer and pianist. [24] Robert Johnson (May 8, 1911, Hazlehurst, Mississippi – August 16, 1938). Singer-songwriter and guitarist, recognized since the 1960s as a master of Delta blues and an important influence on many rock ...
The Blues Hall of Fame is a music museum operated by the Blues Foundation at 421 S. Main Street in Memphis, Tennessee. Initially, the "Blues Hall of Fame" was not a physical building, but a listing of people who have significantly contributed to blues music.
The company relied on offices and agents in nearby Chicago to find and record artists for its blues and jazz offerings. [4] Paramount's race record series was launched in 1922 with vaudeville blues songs by Lucille Hegamin and Alberta Hunter. [5] The company had a large mail-order operation which was a key to its early success. [2]