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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
A Flute method is a type of specific textbook-style pedagogy for learning to play the flute. It often contains fingering charts, scales , exercises, and occasionally etudes . These exercises are often presented in different keys in ascending order to aid in difficulty, known as methodical progression, or to focus on isolated aspects like ...
Syllables are assigned to the notes of the scale and assist the musician in audiating, or mentally hearing, the pitches of a piece of music, often for the purpose of singing them aloud. Through the Renaissance (and much later in some shapenote publications) various interlocking four-, five- and six-note systems were employed to cover the octave.
Durga is a raga in Hindustani Classical music. It shares some features with Shuddha Saveri of Carnatic music (such as the note positions), but is significantly different from it in terms of the sancharas of the raga. Unless mentioned otherwise, notes refer to the concept of notes in Indian classical music, called ‘swara’ in Hindustani.
Playing includes a Musical Scale or Sargam, which usually has 7 notes Sa, Re, Ga, Ma, Pa, Dha, Ni; in Hindustani Classical Music. In Carnatic Music, the swaras are denoted as per the Melakarta System. The Transition from Ga to Pa is an essential aspect which is to be practiced appropriately under the Guidance of a Flute Teacher.
This raga originated in Hindustani classical music and has been taken into Carnatic music. [4] It is derived from the 28th Melakarta (parent scale) Harikambhoji. [4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure. [5] Arohana: S G₃ M₁ P N₃ Ṡ [a] Avarohana: Ṡ N₂ P M G₃ S [b]
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