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Glenn Miller's Method for Orchestral Arranging is a 1943 book on arranging by Glenn Miller published by the Mutual Music Society in the U.S. and Chappell & Co., Ltd., in the UK. Background [ edit ]
An offstage instrument or choir part in classical music is a sound effect used in orchestral and opera which is created by having one or more instrumentalists (trumpet players, also called an "offstage trumpet call", horn players, woodwind players, percussionists, other instrumentalists) from a symphony orchestra or opera orchestra play a note, melody, or rhythm from behind the stage, or ...
Orchestral instrumentation is denoted by an abbreviated formulaic convention, [3] as follows: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba. More details can be contained in brackets. A dot separates one player from another, a slash indicates doubling. Timpani and percussion are denoted 2Tmp+ number of percussion.
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This is a list of musical genres within the context of classical music, organized according to the corresponding periods in which they arose or became common.. Various terms can be used to classify a classical music composition, mainly including genre, form, compositional technique and style.
Ivan the Terrible, Op. 79, orchestra Piano duet 18 October – 11 November 1869 Anton Rubinstein Don Quixote, Op. 87, orchestra Piano duet 1870 Schumann: Symphonic Studies, Op. 13 (piano), Adagio and Allegro brillante Orchestra 1864 Schumann "Ballade vom Haidenknaben", Op. 122, No. 1, declamation and piano Declamation and orchestra 11 March 1874
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The Seasons was commenced shortly after the premiere of Tchaikovsky's First Piano Concerto, and continued while he was completing his first ballet, Swan Lake. [3]In 1875, Nikolay Matveyevich Bernard, the editor of the St. Petersburg music magazine Nouvellist, commissioned Tchaikovsky to write 12 short piano pieces, one for each month of the year.