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X. 1905, arguably his best-known work for the piano, is in E-flat minor. Earlier piano sonatas in the key are the Grand Sonata, Op. 3/1 by George Pinto and the Piano Sonata by Paul Dukas. Alkan composed the final movement for Symphony for Solo Piano in E-flat minor, as well as the final etude from his Trois morceaux dans le genre pathétique.
This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity, i.e., the tendency for the harmonic makeup of each note to run sharp.
Notes, of E Flat. E ♭ (E-flat) or mi bémol is the fourth semitone of the solfège. It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D ♯ or re dièse. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D ♯ is not the same as E ♭.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
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Evidence for this belief is found in the fact that in W.T.C. Book 1, Bach paired the E ♭ minor prelude (6 flats) with its enharmonic key of D ♯ minor (6 sharps) for the following fugue. This pairs the most tonally remote enharmonic keys – at the point opposite C major on the circle of fifths, where the flat arm and sharp arm cross each ...
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