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From a historical point of view, the circumflex also indicates that the word used to be spelled with the letter ð in Old Norse – for example, fôr is derived from fóðr, lêr 'leather' from leðr, and vêr "weather, ram" from veðr (both lêr and vêr only occur in the Nynorsk spelling; in Bokmål these words are spelled lær and vær).
If the intonation is acute the word has a mark 3a, 34a, (35a, 36a) written by in dictionaries, and if a circumflex or short, the mark is 3b, 34b, (35b, 36b); the number three means the number of an accentuation pattern, the letter a means the acute intonation, the letter b is for a circumflex intonation or a short stress; if the accent is in a ...
Phonetically reconstructed as a falling syllable tone. Within Balto-Slavic framework, recessive circumflex corresponds to the Latvian falling intonation à and the Lithuanian circumflex ã . [8] [9] [10] The long is mainly used on final vowels in the word form. A striking example of this is the “long yer” in the genitive plural. [11] [12] [13]
A heavy syllable—that is, a syllable containing a long vowel, diphthong, or a sonorant coda—may have one of two tones, falling tone (or acute tone) or rising tone (or circumflex tone). Light syllables (syllables with short vowels and optionally also obstruent codas) do not have the two-way contrast of heavy syllables.
In distinction to the angled Latin circumflex, the Greek circumflex is printed in the form of either a tilde ( ̃) or an inverted breve ( ̑). It was also known as ὀξύβαρυς oxýbarys "high-low" or "acute-grave", and its original form ( ^ ) was from a combining of the acute and grave diacritics.
The Ancient Greek accent is believed to have been a melodic or pitch accent.. In Ancient Greek, one of the final three syllables of each word carries an accent. Each syllable contains a vowel with one or two vocalic morae, and one mora in a word is accented; the accented mora is pronounced at a higher pitch than other morae.
The assumption of a circumflex on this *-ā- explains the forms of the type viẽtoms, viẽtomis, viẽtose, viẽtom, but not *vietóms, *vietómis, *vietóse, *vietóm, thus de Saussure's law should not be expected here, whereas acuteness in mobile paradigms is secondary (for example in dat. pl. žẽmėms (2) "land" ~ žvaigždė́ms (4 ...
In linguistics, intonation is the variation in pitch used to indicate the speaker's attitudes and emotions, to highlight or focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse. For example, the English question "Does Maria speak Spanish or French