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Faces of Death (later re-released as The Original Faces of Death) is a 1978 American mondo horror film written and directed by John Alan Schwartz, credited under the pseudonyms "Conan Le Cilaire" and "Alan Black" respectively.
A woman who moderates a YouTube-like platform, responsible for filtering out any content that is offensive or violent, comes across a group on the website that appears to be re-enacting the murders from the original film. However, given the digital age of widespread misinformation online, are these murders real or fake? [2]
Traces of Death is a 1993 American mondo film that consists of various scenes of stock footage depicting death and real scenes of violence.. Unlike the earlier Faces of Death which usually included fake deaths and reenactments, Traces consists mostly of actual footage depicting death and injury, and consists also of public domain footage from other films.
A former Playboy model killed herself and her 7-year-old son after jumping from a hotel in Midtown New York City on Friday morning. The New York Post reports that 47-year-old Stephanie Adams ...
This includes, in addition to the eight Faces of Death films, Nick Bougas' Death Scenes series, the Traces of Death series, and similar fare. I would be inclined to agree with her, although her "neo-Mondo" subgenre and the orignal "Mondo" subgenre are very close, being distinct only in date of production and distribution techniques.
Bottom line: While the triangle of death has a terrifying moniker and some very real theoretical science behind it, avoiding serious infections is totally doable by adhering to a single rule: Don ...
There is currently a student loan crisis in the United States, and some are scrambling to figure out how to pay off what they owe. One woman took an extreme approach: she faked her own death ...
Films produced and distributed by Brain Damage Films are often criticized for their production value and quality. [9] [10] On 22 June 2005, the British Board of Film Classification rejected Traces of Death, stating that "the work presents no journalistic, educational or other justifying context for the images shown."