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Sandro Botticelli, The Birth of Venus (c. 1484–1486).Tempera on canvas. 172.5 cm × 278.9 cm (67.9 in × 109.6 in). Uffizi, Florence Detail: the face of Venus. The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s.
In this painting the boy is seated head on, so his whole face can be mapped out, making this a revolutionary work for its time. [1] This work has at various times been attributed to Giorgione, Filippino Lippi and even believed to be a self-portrait by Masaccio. [1] It is now widely accepted as a Botticelli and is his only known en face portrait.
Detail from Botticelli's most famous work, [4] The Birth of Venus (c. 1484–1486) Alessandro di Mariano di Vanni Filipepi (c. 1445 [1] – May 17, 1510), better known as Sandro Botticelli (/ ˌ b ɒ t ɪ ˈ tʃ ɛ l i / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance.
The Portrait of a Young Man Holding a Roundel (also known as Portrait of a Young Man holding a Trecento Medallion [1]) is a painting attributed to the Italian Renaissance master Sandro Botticelli. On the basis of its style it has been estimated to have been painted around 1480. [2]
The appearance at an auction in 1982, from the Thomas Merton collection, of a rarely seen painting by Botticelli of a Portrait of a Young Man Holding a Roundel identified (with no real evidence) as Giovanni il Popolano in a similar pose, holding up a round medallion cut from a much older painting (albeit of a bearded saint, not Cosimo), has led ...
The Portrait of a Young Man is a painting by the Italian Renaissance artist Sandro Botticelli, dated between 1470 and 1475. It is housed in the Palazzo Pitti of Florence. Variously attributed to different painters, it was eventually included in Botticelli's works. It is one of the first known three-quarters portraits in western European art.
If you’ve ever thought classical art masterpieces could use more cats, then you’re in for a treat!Svetlana Petrova reinterprets famous art pieces by incorporating her silly cat pictures. The ...
It belongs to a group of such paintings by Botticelli or his workshop. [4] Art historian Emanuele Lugli has suggested that the three "tassels" of hair at the center of the painting represents downward flames, symbolising the love that onlookers ought to experience when looking at the portrait since, in the Renaissance it was thought that "hair ...
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