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The Lute Player depicts a young woman in a golden dress with a lute, turned away from the observer, concentrating her attention on the nineteen stringed instrument and listening intently to a note. She may be tuning her lute in anticipation of a concert, as shown by the assortment of recorders, a cornetto and violin, and the song books lying ...
The Self-Portrait as a Lute Player was created after Gentileschi was married and moved from Rome to Florence after a fourteen-month rape trial against Agostino Tassi. [9] [6] Self-Portrait as a Lute Player and other self-portraits of Gentileschi were painted for private collections and allowed her to express her wit and cultural knowledge. [6]
The appearance of second originals is a feature of a new understanding of Caravaggio's work, and indeed Vincenzo Giustiniani, whose experience was closely related to the artist's career, describes in his Discorso sulla pittura the painter's development as beginning with copying others’ work – 'Proceeding further, he can also copy his own work, so that the replica may be as good, and even ...
References: Orazio and Artemisia Gentileschi, 22 ; National Gallery of Art artwork ID: 46434 ; Zeri image ID: ... The Lute Player, c. 1612/1620, oil on canvas ...
Lute Player is an early 17th-century painting by French artist Valentin de Boulogne.Done in oil on canvas, the painting depicts a young soldier playing a lute. The painting was originally in the collection of Cardinal Mazarin, and is now in the collection of the Metropolitan Museum of Art, in New York.
The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute. This painting was documented by Wilhelm von Bode in 1883, Ernst Wilhelm Moes in 1909 and Hofstede de Groot in 1910, who wrote: 98. A FOOL WITH A MANDOLINE. B ...
Having encountered Caravaggio's style in Rome, van Baburen popularised it back in the Dutch Republic, particularly images of single musicians such as this one, drawing on the Italian artist's The Lute Player and setting a trend which also resulted in Frans Hals's The Lute Player of 1623. [3]
The Lute Player c. 1600 Oil on canvas, 100 x 126,5 cm Metropolitan Museum of Art, New York (on loan) Two pictures (one in The Hermitage, St. Petersburg, and the other in the Metropolitan Museum of Art, New York) of almost the same dimensions depict a boy with soft facial features and unusually thick brown hair, pouting lips, a half-open mouth ...