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Ennio Morricone's soundtrack for the film The Good, the Bad and the Ugly contained whistling by John O'Neill. [3] The main theme, also titled "The Good, the Bad and the Ugly", was a hit in 1968 with the soundtrack album on the charts for more than a year, [4] reaching No. 4 on the Billboard pop album chart and No. 10 on the black album chart. [5]
Toward the end of the film, after John Wayne's character convinced the captain to try to make it to San Francisco rather than ditch, the captain said "Whistle me a tune, Dan. I like music when I work." Dan (John Wayne) whistled a bit of "(I'm a) Ramblin' Wreck from Georgia Tech" (Georgia Tech's famous and catchy fight song).
The whistling on the record was, according to most sources, by John O'Neill, a trumpeter and singer with the Mike Sammes Singers who was known for his whistling skill, [3] [4] though other sources credit Noel Walker. [2]
Bishop is heard whistling the tune of this particular theme at the beginning and end of the film, making the electric piano theme "a non-diegetic realization of a diegetic source." [ 9 ] Burnand and Mera have noted that "there is some attempt to show the common denominators of human behavior regardless of 'tribal' affiliations, and there is a ...
The song added a new term to the American lexicon: "Whistling 'Dixie'" is a slang expression meaning "[engaging] in unrealistically rosy fantasizing." [98] For example, "Don't just sit there whistling 'Dixie'!" is a reprimand against inaction, and "You ain't just whistling 'Dixie'!" indicates that the addressee is serious about the matter at hand.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
"The Whistling Coon" was characterized by a light-hearted tune and lyrics which would be unacceptable today, in which a black man is compared to a baboon. [ 9 ] Johnson continued recording for the New York and New Jersey companies, and in 1891 also started recording for their parent company, the North American Phonograph Company.
It was composed by John, Bernie Taupin and Davey Johnstone. The music for the song was largely based on a South African folk tune called 'Isonto Lezayone', which was recorded in 1963 by Phineas Mkhize. The whistle riff and chorus melody are borrowed from this piece, and Mkhize is given a songwriting credit for the song on this basis.