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Satan's School for Girls (1973 film) Satan's School for Girls (2000 film) Schmutziger Engel; The School for Good and Evil (film) School for Scoundrels (1960 film) School for Scoundrels (2006 film) School Life (2019 film) School of Death; School of Rock; School-Live! (film) A Separate Peace (film) Seven Days Grace; Sex Ed (film)
Don Enright, the son of Private Lessons co-producer Dan Enright, was a co-producer on the film. Private School was directed by Noel Black, who had found success in 1968 with the thriller Pretty Poison. [3] Phoebe Cates, star of the 1982 hit Fast Times at Ridgemont High, was cast in the lead role, while Betsy Russell was second-billed. [3]
AlRawabi School for Girls (Arabic: مدرسة الروابي للبنات) is a Jordanian teen drama television series, created for Netflix by Tima Shomali. The series mainly focuses on the impact of bullying within school systems and societal expectations of young women. [ 1 ]
The Single Girls (also known as Bloody Friday and Private School) is a 1973 American exploitation film directed by Beverly Sebastian and Ferd Sebastian, and starring Claudia Jennings, Jean Marie Ingels and Greg Mullavey. A group of swingers at a Caribbean resort are stalked by a mysterious killer. [3]
The Ramallah Friends School (Arabic: مدرسة الفرندز) is a private school in West Bank, Palestine with campuses in the twin cities of Ramallah and al-Bireh. [1] The Friends Girls' School was inaugurated in 1869; the construction of the Friends Boys' School began in 1901 and the school opened in 1918. [2] The Schools were run by ...
Satan's School for Girls is a 1973 American made-for-television horror film directed by David Lowell Rich, and produced by Aaron Spelling. The film has been named as one of the most memorable television movies of the 1970s.
Satan's School for Girls is a 2000 American made-for-television horror film directed by Christopher Leitch and starring Shannen Doherty, Julie Benz, Daniel Cosgrove and Kate Jackson. It is a remake of a 1973 ABC Movie of the Week of the same name.
A contemporary review in the Corriere della Sera was extremely critical of the film: [4] "an abyss of abjection. Few times, perhaps never, have we witnessed such a nauseating film.