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Most of the company’s early wares carried one of the various “Nippon” back stamps to indicate its country of origin when exported to Western markets. [5] Today, many collectors agree that the best examples of “Nippon-era” (1891–1921) hand painted porcelain carry a back stamp used by "Noritake" during the Nippon era. [citation needed]
The Japanese porcelain-makers rather over-reached themselves, and in the 1880s there was something of an over-reaction, and Japanese porcelain acquired a reputation for poor quality, and prices and demand fell. Cheap wares could sell, but the better quality wares suffered, although small amounts of the highest quality wares found a market. [30]
Porcelain vases by Miyagawa Kōzan I, 1905–1915. During the international openness of the Meiji period, Japanese arts and crafts had a new audience and set of influences. Traditional patrons such as the daimyō class broke away and many of the artisans lost their source of income.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Cheap Trick at Budokan (or simply At Budokan) is the first live album by American rock band Cheap Trick, and their best-selling recording. Recorded at the Nippon Budokan in Tokyo , the album was first released in Japan on October 8, 1978, and later released in the United States in February 1979, through Epic Records .
Seiichi Morimura (森村 誠一, Morimura Seiichi, January 2, 1933 – July 24, 2023) was a Japanese novelist and author, born in Kumagaya.He is best known for the controversial The Devil's Gluttony [] (悪魔の飽食) (1981), which revealed the atrocities committed by Unit 731 of the Imperial Japanese Army during the Sino-Japanese War (1937–1945).
A spill vase, or spill holder is a small cylindrical vase or wall-hanging vase for containing splints, spills, and tapers for transferring fire, for example to light a candle or pipe from a lit fire. From the documentary record, they probably date back to the 15th century, though the heyday of specially made vases is the 19th century.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
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