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Duke Ellington – piano; Willie Cook, Fats Ford, Ray Nance, Clark Terry - trumpet; Lawrence Brown, Booty Wood, Britt Woodman - trombone; Juan Tizol - valve trombone; Jimmy Hamilton - clarinet, tenor saxophone
International Music Score Library Project (IMSLP) 799,000 Public domain music scores (720,000) and recordings (79,000), including some contemporary composers. International Music Score Library Project: Inventions of Note: popular music, technology: 50 Sheet music for popular songs and piano compositions, mostly 1890–1920. Lewis Music Library ...
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Schmutzer's Engraved portrait of Strauss, 1922. The orchestral Dance Suite from Keyboard Pieces by François Couperin (Tanzsuite aus Klavierstücken von François Couperin), TrV 245 was composed by Richard Strauss in 1923 and consists of eight movements, each one based on a selection of pieces from François Couperin's Pièces de Clavecin written for the solo harpsichord over the period 1713 ...
Pages in category "Composers with IMSLP links" The following 200 pages are in this category, out of approximately 4,170 total. This list may not reflect recent changes .
The second movement, "Gay But Wistful", is subtitled as "a tune in a popular London style" referring to music hall, a popular genre of entertainment in Victorian England. [6] In the staff description for its AllMusic entry, Dave Lewis notes that the piece, while clearly English in style, had a "jazz-inflected harmonic practice" similar to the ...
Solo passages, dialogues between solo flute and orchestra, and a clarinet and bassoon conversation characterize the music. After an unexpected bass trombone disruption, the flute comes to the fore with a cantabile theme in E major. An orchestral cadenza leads back into the opening themes before terminating calmly in a key approximating G flat ...
Replete with both waltz music and Ländler music, this piece demonstrates an inherent eclecticism that, as in many of Berg's works, permitted a synthesis of old and new, classical and popular, often infused with grotesquerie. Marsch (March) A sizable and highly imaginative march, notable for its element of chaos and its extremes of ...