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Cameo of Thomas Reid by James Tassie, Hunterian Museum, Glasgow. Thomas Reid FRSE (/ r iː d /; 7 May (O.S. 26 April) 1710 [6] – 7 October 1796) was a religiously trained Scottish philosopher best known for his philosophical method, his theory of perception, and its wide implications on epistemology, and as the developer and defender of an agent-causal theory of free will.
The alternative meaning of alogia is inability to speak because of dysfunction in the central nervous system, [10] [3] found in mental deficiency and dementia. [11] [3] In this sense, the word is synonymous with aphasia, [3] and in less severe form, it is sometimes called dyslogia. [10]
In human development, muteness or mutism [1] is defined as an absence of speech, with or without an ability to hear the speech of others. [2] Mutism is typically understood as a person's inability to speak, and commonly observed by their family members, caregivers, teachers, doctors or speech and language pathologists.
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Religious suffering is, at the same time, the expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people. —
Historian of religion Benjamin Ray uses the performance of rituals within religions as evidence for a performative interpretation of language. He argues that the language of rituals can perform social tasks: when a priest announces that a spiritual event has occurred, those present believe it because of the spiritual authority of the priest.
This is a weakness in the sense that all data is based on a concept that cannot be objectively verified, and thus may not be reliable or valid. [30] As with all inquiries about the psychological nature of religion, it is difficult to find valid and reliable measures because of the introspective nature of the subject.
[30] Similarly, if the image does depict Eve emerging from Adam, it is thematically relatable to All Religions as a whole; "a picture of the original human 'outward form' is an appropriate illustration for a work stressing the oneness of all forms, physical and religious, that have a common origin."