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In photography, bokeh (/ ˈ b oʊ k ə / BOH-kə or / ˈ b oʊ k eɪ / BOH-kay; [1] Japanese:) is the aesthetic quality of the blur produced in out-of-focus parts of an image, whether foreground or background or both. It is created by using a wide aperture lens.
[3] Many writers posed the question of if the aesthetic constitutes art, [1] [3] with Townsend commenting "the idea of corecore and what it can (or could) represent that has given rise to what some consider a genuine form of art by Gen-Z." [5] Ewens further questioned if the aesthetic is a "new frontier in amateur documentary making," and added ...
"Cold Heart (Pnau remix)" is a song by English singer and songwriter Elton John and English and Albanian singer Dua Lipa from the former's 32nd studio album, The Lockdown Sessions (2021). It was released on 13 August 2021 as the lead single from the album for digital download and streaming in various countries by EMI and Mercury .
A few months later, in November 2020, an official video was published for the song "Sex Breath", directed by Alexandra Macià, entirely rendered in a retro style which tributes the aesthetic of the VHS era. [15] April 2021 saw the release of an official video for the song "Roses", this time directed by Linnéa herself. [16]
Memory Vague compiles found footage of commercials, animation and music videos sourced from YouTube videos and edited by Lopatin in Windows Movie Maker. [3] It collects several videos previously uploaded to YouTube via Lopatin's sunsetcorp channel, including the profile-raising videos "angel" and "nobody here."
"Elastic Heart" is a song written by Australian singer Sia, featuring Canadian singer the Weeknd and American record producer Diplo, for the soundtrack of The Hunger Games: Catching Fire, a film based on the novel of the same name by Suzanne Collins.
Animated example of what a glitched video can look like, by Michael Betancourt (Mae Murray in a screen test). Glitch art is an art movement centering around the practice of using digital or analog errors, more so glitches, for aesthetic purposes by either corrupting digital data or physically manipulating electronic devices.
Communication Aesthetics is a theory devised by Mario Costa and Fred Forest at Mercato San Severino in Italy in 1983. [1] It is a theory of aesthetics calling for artistic practice engaging with and working through the developments, evolutions and paradigms of late twentieth century communications technologies. Observing the emerging supremacy ...
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