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Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. [1] [2] [3] The Ganesha-centric scripture Mudgala Purana is the first to list them. [4] Detailed descriptions are included in the Shivanidhi portion of the 19th-century Kannada Sritattvanidhi.
Rao classifies Uchchhishta Ganapati as one of the five Shakti-Ganesha icons, where Ganesha is depicted with a shakti, that is, a female consort. [4] The large figure of Ganesha is accompanied with smaller figure of the consort. [1] The nude devi (goddess) sits on his left lap. She has two arms and wears various ornaments.
The name Ganesha is a Sanskrit compound, joining the words gana (gaṇa), meaning a 'group, multitude, or categorical system' and isha (īśa), meaning 'lord or master'. [18] The word gaṇa when associated with Ganesha is often taken to refer to the gaṇas, a troop of semi-divine beings that form part of the retinue of Shiva, Ganesha's father ...
Mahaganapati, folio from the Sritattvanidhi (19th century). Here he is depicted with ten arms and accompanied by a goddess. Mahaganapati (Sanskrit: महागणपति, mahā-gaṇapati), literally "Ganesha, the Great" [1]), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha.
Phyllis Granoff reviews the internal evidence and concludes that the Mudgala was the last of the philosophical texts concerned with Ganesha [4] R. C. Hazra suggested that the Mudgala Purana is earlier than the Ganesha Purana which he dates between 1100 and 1400 A.D. [5] Granoff finds problems with this relative dating because the Mudgala Purana ...
These sectarians used to brand by iron the head of Ganesha and his tusk on their palms. [5] Haridra Ganapati is a Tantric form of Ganesha. Special mantras and yantras are used in his worship. Rituals involving his worship generally are performed to fulfill material objectives, especially gaining boons related to sexuality.
Heramba (Sanskrit: हेरम्ब, Heraṃba), also known as Heramba Ganapati (Heraṃba-gaṇapati), is a five-headed iconographical form of the Hindu god Ganesha (Ganapati). This form is particularly popular in Nepal. [1] This form is important in Tantric worship of Ganesha. He is one of the most popular of the thirty-two forms of Ganesha.
Ghurye notes that the text identifies Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9]While the Ganapati Atharvaśīrṣa is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]