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He later clarified his position in a journal entry from 1848, saying that "right is the eternal symbol of might" rather than the reverse. [ 12 ] In 1846, the American pacifist and abolitionist Adin Ballou (1803–1890) wrote, "But now, instead of discussion and argument, brute force rises up to the rescue of discomfited error, and crushes truth ...
You cannot strengthen the weak by weakening the strong. You cannot help little men by tearing down big men. You cannot lift the wage earner by pulling down the wage payer. You cannot help the poor by destroying the rich. You cannot establish sound security on borrowed money. You cannot further the brotherhood of man by inciting class hatred.
Live to fight another day (This saying comes from an English proverbial rhyme, "He who fights and runs away, may live to fight another day") Loose lips sink ships; Look before you leap; Love is blind – The Two Gentlemen of Verona, Act II, Scene 1 (1591) Love of money is the root of all evil [15] Love makes the world go around
Billionaire Mark Cuban halfheartedly apologized on Friday to those who “felt slighted” at him suggesting that women around former President Donald Trump are weak and dumb, saying he has “no ...
[2] For strong-willed men, the "good" is the noble, strong, and powerful, while the "bad" is the weak, cowardly, timid, and petty. The essence of master morality is nobility. Other qualities that are often valued in master morality are open-mindedness, courage, truthfulness, trustworthiness, and an accurate sense of one's self-worth.
J. K. Rowling in her book Harry Potter and the Goblet of Fire says "We are only as strong as we are united, as weak as we are divided." [11] In the C.G.I. Transformers show Transformers Prime, this phrase is played upon. As Megatron succeeds in destroying the Autobot base and chasing out the Autobots after an intense war, he and Starscream ...
50. "I just want women to always feel in control. Because we're capable, we're so capable." — Nicki Minaj. 51. "You draw your own box. You introduce yourself as who you are. . . .
This explicit shushing is a common thread throughout the Grimms' take on folklore; spells of silence are cast on women more than they are on men, and the characters most valued by male suitors are those who speak infrequently, or don't speak at all. On the other hand, the women in the tales who do speak up are framed as wicked.