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"If one thinks of scale and tune as representing the poles of a continuum of melodic predetermination, then most of the area between can be designated one way or the other as being in the domain of mode." [1] In 1792, Sir Willam Jones applied the term "mode" to the music of "the Persians and the Hindoos". [2]
Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology. [1] Power of Music by Louis Gallait. A brother and sister resting before an old tomb.
Media in category "Modes (music)" The following 2 files are in this category, out of 2 total. Maiden Voyage Herbie Hancock opening vamp.mid 4.0 s; 334 bytes.
Musicologists associated with the new musicology often use musical analysis (traditional or not) along with or to support their examinations of the performance practice and social situations in which music is produced and that produce music, and vice versa. Insights from the social considerations may then yield insight into analysis methods.
Systematic musicology is an umbrella term, used mainly in Central Europe, for several subdisciplines and paradigms of musicology. "Systematic musicology has traditionally been conceived of as an interdisciplinary science, whose aim it is to explore the foundations of music from different points of view, such as acoustics, physiology, psychology, anthropology, music theory, sociology, and ...
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research —of the early 20th century and postwar era .
Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...
Susumu Ohno, one of the referents in the development of protein music, proposed in the early 80s that repetition is a fundamental to the evolution of proteins. [14] This idea was fundamental to his notion that the repetition in biological sequences would have parallels in music composition, leading Ohno to state that the "...all-pervasive principle of repetitious recurrence governs not only ...