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Twenty Thousand Leagues Under the Seas, trans. by F. P. Walter in 1991, made available by Project Gutenberg. Twenty Thousand Leagues under the Sea at Project Gutenberg, obsolete translation by Lewis Mercier, 1872; Vingt Mille Lieues Sous Les Mers 1871 French edition at the digital library of the National Library of France
Beside their original appearances in Twenty Thousand Leagues Under the Seas and The Mysterious Island, Nautilus and Captain Nemo have appeared in numerous other works.. In the 1954 film adaptation of the first novel and in The Return of Captain Nemo, it is suggested that Nautilus is powered by nuclear energy (discovered by Nemo himself), and that Nemo uses the same energy to destroy Vulcania ...
20,000 Leagues Under the Sea (1954 film) A. The Abyss; Aquaman (film) ... Surface Tension (short story) U. The Undersea Adventures of Captain Nemo; Undersea Trilogy;
Captain Nemo (/ ˈ n eɪ m oʊ /; also known as Prince Dakkar) is a character created by the French novelist Jules Verne (1828–1905). Nemo appears in two of Verne's science-fiction books, Twenty Thousand Leagues Under the Seas (1870) and The Mysterious Island (1875).
The Essex crew were lost at sea for 92 days.Chase’s boat was rescued on Feb. 18, 1821, with only three men onboard, and Pollard and his last surviving crew member were found a week later.
20,000 Leagues Under the Sea (1954) It Came from Beneath the Sea (1955) Invention for Destruction (1958) The Atomic Submarine (1959) On the Beach (1959) Voyage to the Bottom of the Sea (1961) Atragon (1963) City Under the Sea (1965) Around the World Under the Sea (1966) Destination Inner Space (1966) Captain Nemo and the Underwater City (1969 ...
20,000 Leagues Under the Sea is a 1954 American science fiction adventure film directed by Richard Fleischer, from a screenplay by Earl Felton. Adapted from Jules Verne's 1870 novel Twenty Thousand Leagues Under the Seas, the film was produced by Walt Disney Productions. It stars Kirk Douglas, James Mason, Paul Lukas, and Peter Lorre.
Submarine films have their own particular semantics and syntax, creating a film genre concerned specifically with submarine warfare.A distinctive element in this genre is the soundtrack, which attempts to bring home the emotional and dramatic nature of conflict under the sea.