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Armstrong in 1947. Louis Armstrong (1901–1971), nicknamed Satchmo [1] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music.
"We Have All the Time in the World" is a James Bond theme song performed by Louis Armstrong. Its music was composed by John Barry and the lyrics by Hal David.It is a secondary musical theme in the 1969 Bond film On Her Majesty's Secret Service, the title theme being the instrumental "On Her Majesty's Secret Service", also composed by Barry.
Armstrong's participation in Dave Brubeck's high-concept jazz musical The Real Ambassadors (1963) was critically acclaimed and features "Summer Song", one of Armstrong's most popular vocal efforts. Louis Armstrong in 1966
The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955 with translated lyrics by Marc Blitzstein. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys at the 2nd Annual Grammy Awards.
It should only contain pages that are Louis Armstrong songs or lists of Louis Armstrong songs, ... This page was last edited on 24 March 2016, at 03:23 (UTC).
The recording by Louis Armstrong was recorded on July 24, 1951 and released by Decca Records as catalog number 27720. It first reached the Billboard magazine charts on August 24, 1951 and lasted 16 weeks on the chart, peaking at #13. [1] It was the flip side of "A Kiss to Build a Dream On." The song was also recorded by Peggy Lee on May 16 ...
"Uncle Satchmo's Lullaby" (also known under its German title "Onkel Satchmo's Lullaby") is a 1959 song, written by Erwin Halletz and Olaf Bradtke, and sung by Louis Armstrong and German singer Gabriele Clonisch, better known as Gabriele, who was 12 years old at the time.
The recording features clarinet work by Johnny Dodds, and the stop-time solo chorus in the last half of the recording is one of Armstrong's most famous solos. [5] The stop-time aspects of "Potato Head Blues" was derived from the tap-dancing tradition at the Sunset Café as well as the New Orleanian tradition of adding breaks and fill-ins. [ 6 ]
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