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The optical slide camera could be used to create a number of types of slides and special effects commonly used in multi-image presentations: Duplicates: copies of transparencies; Copy slides: slides made by top-light copying of artwork or illustrations; Title burns: made by making multiple exposures through a series of mattes, such as text slides
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
The slide images were too small for unaided viewing, and required enlargement by a projector or enlarging viewer. Photographic film slides and projectors have been replaced by image files on digital storage media shown on a projection screen by using a video projector, or displayed on a large-screen video monitor.
The film was loaded into 35mm film canisters for still photography use, and the company returned an unexposed roll with each order. In the 1980s, Seattle FilmWorks aggressively marketed its products and services and offered two rolls of Seattle FilmWorks film for US$2.00. It advertised in newspapers, magazines, and package inserts.
It used 35mm slide film to produce stereo pair images in the standard 5P Realist format. This allowed Kodak Stereo Camera owners to use most accessories and services originally designed for the Stereo Realist. It was the second best selling stereo camera of the 1950s era, eclipsed only by the Stereo Realist.
Most famously, Tarantino suggested in 2012 that he wanted to retire because (although he can still shoot on film) he cannot project on 35mm prints in most American cinemas, because of the rapid conversion to digital. [18] Paul Thomas Anderson recently was able to create the most 70mm film prints in years for his film The Master.
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