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8½ (Italian: Otto e mezzo [ˈɔtto e mˈmɛddzo]) is a 1963 comedy drama film co-written and directed by Federico Fellini.The metafictional narrative centers on Guido Anselmi (Marcello Mastroianni), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film.
In 2012, the world’s film critics considered Federico Fellini’s 1963 Oscar-winning “8 ½” one of the 10 greatest films of all time. By 2022, Fellini’s landmark film had fallen out of the ...
Federico Fellini Cavaliere di Gran Croce OMRI (Italian: [fedeˈriːko felˈliːni]; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter.He is known for his distinctive style, which blends fantasy and baroque images with earthiness.
Fellini's films have received four Academy Awards for Best International Feature Film for La Strada (1956), Nights of Cabiria (1957), 8½ (1963), and Amarcord (1974). He won the Academy Honorary Award in 1992 for his contributions to cinema. After five British Academy Film Award nominations Fellini won the BAFTA Fellowship in 1987.
Nine is a musical initiated by and with music and lyrics by Maury Yeston and a book by Arthur Kopit.It is based on the 1963 film 8½.. The show tells the story of film director Guido Contini, who is dreading his imminent 40th birthday and facing a midlife crisis, which is blocking his creative impulses and entangling him in a web of romantic difficulties in early-1960s Venice.
Federico Fellini’s post-war immigration story “Napoli-New York,” which was penned for the big screen by the famed director but never produced, is set to become a graphic novel written by ...
After the death of his wife Amelia, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva. They get the idea while watching Federico Fellini's 8 + 1 ⁄ 2 and after Storey is "given" a woman, Simato, to waive her pachinko debts. They sign one-year contracts with eight (and a ...
Instead, we may have the protagonist wander around aimlessly for the whole movie, with nothing of real importance happening to drive him from one activity to the other. Classical Hollywood cinema has a narrative transitivity, in which there is "a sequence of events in which each unit follows the one preceding it according to a chain of ...