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Weston Woods Studios' first project was Andy and the Lion in 1954; its first animated film was The Snowy Day in 1964. [2] In 1968, Weston Woods began a long collaboration with animator Gene Deitch . Later, they opened international offices in Henley-on-Thames, England , UK (1972), as well as in Canada (1975) and Australia (1977).
In addition to the Caldecott Honor, Don't Let the Pigeon Drive the Bus! is an American Library Association Notable Book, a National Council of Teachers of English Notable Book, a Bulletin of the Center for Children's Books Blue Ribbon Book, [4] and a South Carolina Picture Book Award winner [5] Based on a 2007 online poll, the National Education Association listed the book as one of its ...
[2] Lana Berkowitz of the Houston Chronicle called it "a winner", [3] while The Courier-Journal's Jill Johnson Keeney said it was a "worthy successor" to Willems' earlier books, such as Don't Let the Pigeon Drive the Bus! and Knuffle Bunny: A Cautionary Tale. [4] Kirkus Reviews called it "A fey foray into existentialism from an emerging master ...
A sequel to Knuffle Bunny, it was released on September 4, 2007, by Hyperion Books and reached the number one spot on the New York Times Bestseller List for children's books. [1] In 2009 Weston Woods Studios released an animated version of the book. It was directed by Karen Villarreal and is narrated by Mo, Cheryl, and Trixie Willems.
Knuffle Bunny: A Cautionary Tale (from Dutch knuffel, pronounced k-nuffle [1]) is a classic children's picture book written and illustrated by Mo Willems. Released by Hyperion Books in 2004, Knuffle Bunny received the 2005 Caldecott Honor. [2] The story spawned an animated short film and a musical play, as well as two sequels.
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An animated version of I Want My Hat Back was produced by Weston Woods Studios and Bigfott Studios in 2013. [7] The film was adapted, directed, and animated by Galen Fott. Jon Klassen provided the voice of the deer. It was a nominee for the Golden Gate Award at the San Francisco International Film Festival. [8]
Much has changed over the past three decades, but in these dark and increasingly homophobic times, Pansy Division’s side-splitting lyrics and balls-to-the-wall powerpop jams are clearly still as ...