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School Play [1] [2] 1926–1927 Mexia Riders To The Sea: 1927–1928 Plainview The Valiant: 1928–1929 Fort Worth Central The Sponge: 1929–1930 Abilene The High Heart: 1930–1931 Austin Casualties: 1931–1932 San Antonio Brackenridge The Hour Glass: 1932–1933 Crowell The Severed Cord: 1933–1934 Pampa Smokescreen: 1934–1935 Mission ...
The short plays are almost all comedies (or comedy dramas), focusing mainly on language and wordplay, existentialist perspectives on life and meaning, as well as the complications involved in romantic relationships. High-school and college students frequently perform the plays, often due to their brevity and undemanding staging requirements.
Actor 4—Actor 4 plays the prosecutor and the psychotherapist Josh is forced to see. Actor 5—Actor 5 plays the school principal, and old headmaster of Josh's school, slouches slightly and squints frequently, intimidating. the jury forewoman, and the police officer. All five actors act as a chorus, coloring Josh's would-be monologues.
As the name suggests, the One Act Festival will be a collection of one-act plays, which are described by Adrian Public Schools as dramatic works of art that tell a story in one act, within a 20 ...
It should not be used for full-length plays that have no act divisions. Pages in category "One-act plays" The following 138 pages are in this category, out of 138 total.
Beauty Is the Word is Tennessee Williams' first play. The 12-page one-act was written in 1930 while Williams was a freshman at University of Missouri in Columbia, Missouri and submitted to a contest run by the school's Dramatic Arts Club. [1]
The play won the 2017 Obie Award for Ensemble work. [8] The play was a finalist for the 2017 Pulitzer Prize for Drama. The committee wrote: "For a timely play about a girls’ high school soccer team that illuminates with the unmistakable ping of reality the way young selves are formed when innate character clashes with external challenges." [9]
The Flying Machine: A One-Act Play for Three Men (1953), by Ray Bradbury; Fools (1981), by Neil Simon; Fortitude (1968), by Kurt Vonnegut; Frankie and Johnny in the Clair de Lune (1982), by Terrence McNally; The Frog Prince (1982), by David Mamet; The Front Page (1928), by Ben Hecht and Charles MacArthur; Fugitive Kind (1937), by Tennessee Williams