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An upright pedal piano. Along with the development of the pedals on the piano came the phenomenon of the pedal piano, a piano with a pedalboard. Some of the early pedal pianos date back to 1815. [10] The pedal piano developed partially for organists to be able to practice pedal keyboard parts away from the pipe organ. In some instances, the ...
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and FDR-1 '65 Fender Deluxe Reverb pedal, introduced at the Winter NAMM show in January 2007. All Boss compact pedals use a "buffered bypass" type of silent foot switching utilizing Field Effect Transistors (FETs) to avoid clicks and pops.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
The Boss HM-2 Heavy Metal is a distortion pedal manufactured by Boss from October 1983 until October 1991. Designed to emulate a Marshall stack , it became associated with Swedish death metal and gained a cult following in the heavy metal scene .
A tiny BOSS micro-cube keyboard amp is being used with a MIDI keyboard. Keyboard amplifiers often have an onboard three or four-channel mixer, so that multiple keyboards (e.g., a stage piano , synthesizer, and clonewheel organ ) can be plugged into one amplifier and so that keyboardists can control the tone and level of several keyboards.
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The Boss MT-2 Metal Zone is a distortion pedal released by Boss in 1991. Designed for the death metal genre, the Metal Zone is characterized by its thick, tight tone and expanded EQ controls. [ 1 ] The extreme sounds the pedal is capable of producing made it successful yet divisive upon its release.
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