Search results
Results from the WOW.Com Content Network
"Seasons of Love" is a song from the 1996 Broadway musical Rent, written and composed by Jonathan Larson. The song starts with an ostinato piano motif, which provides the harmonic framework for the cast to sing "Five hundred twenty-five thousand, six hundred minutes" (the number of minutes in a common year).
While one 1985 critic for Spin included the song in a list of "stupid music"—making fun of Doug E. Fresh's lyrics about his shoes, and calling Slick Rick's sendup of "Michelle" "pathetic"—he still concluded that the single is "the shit". [6] Billboard refused to take it seriously, declaring it the "funniest comedy album of the year". [7]
He wrote the lyrics in one day. The band first rehearsed the song at the Whisky a Go Go. [2] Lamm said the song is about trying to write a song in the middle of the night. The song's title is the time at which the song is set: 25 or 26 minutes before 4 a.m., phrased as, "twenty-five or [twenty-]six [minutes] to four [o’clock]," (i.e. 03:35 or ...
"Sixty Minute Man" is an R&B record released on Federal Records in 1951 by the Dominoes. [1] It was written by Billy Ward and Rose Marks and was one of the first R&B hit records to cross over to become a hit on the pop chart.
Six (stylised in all caps) is a British musical comedy in the style of a pop concert. Its music, book, and lyrics were written by Toby Marlow and Lucy Moss. [1] It is a modern retelling of the lives of the six wives of Henry VIII, presented in the form of a singing competition.
[6] Doug E. Fresh was interviewed in the 1980 cult documentary Big Fun in the Big Town . [ 7 ] Slick Rick left the group almost a year after the release of "The Show"/"La Di Da Di" single, reappearing in 1988 as a Def Jam artist and releasing his debut album, The Great Adventures of Slick Rick .
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
[1] [5] [6] Allmusic's Sullivan describes the song as "just plain visceral -- so much so that [it is] better heard than described" and that it represents six minutes of "defining rock & roll." [1] The song's lyrics are entirely free-form in that they do not follow any consistent rhythmic meter and read almost like prose.