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The frame story leads readers from a first story into one or more other stories within it. The frame story may also be used to inform readers about aspects of the secondary narrative(s) that may otherwise be hard to understand. This should not be confused with narrative structure. [1] [2] [3] A notable example is the 1001 Nights or The Decameron.
The literary device of stories within a story dates back to a device known as a "frame story", where a supplemental story is used to help tell the main story.Typically, the outer story or "frame" does not have much matter, and most of the work consists of one or more complete stories told by one or more storytellers.
Articles relating to frame stories, a literary technique that serves as a companion piece to a story within a story, where an introductory or main narrative sets the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers from a first story into one or more other stories within it.
The Canterbury Tales is a collection of stories built around a frame tale, a common and already long established genre in this period. Chaucer's Tales differs from most other story "collections" in this genre chiefly in its intense variation. Most story collections focused on a theme, usually a religious one.
A frame story is a tale that encloses or frames the main story or set of stories. For example, in Mary Shelley's 1818 novel Frankenstein, the main story is framed by a fictional correspondence between an explorer and his sister; [2] in One Thousand and One Nights, compiled during the Islamic Golden Age, the many stories are framed by a tale that Scheherazade keeps the king from executing her ...
The Frame story, also known as the frame narrative or story within a story, is a narrative technique that probably originated in ancient Indian works such as Panchatantra. [15] [16] The evolution of printing technologies and periodical editions were among the factors contributing to the increasing importance of short story publications.
An early example of analepsis is in the Ramayana and Mahabharata, where the main story is narrated through a frame story set at a later time. Another early use of this device in a murder mystery was in "The Three Apples", an Arabian Nights tale. The story begins with the discovery of a young woman's dead body.
As a story unfolds, narrators may be aware that they are telling a story and of their reasons for telling it. The audience that they believe they are addressing can vary. In some cases, a frame story presents the narrator as a character in an outside story who begins to tell their own story, as in Mary Shelley's Frankenstein.