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The blurb "50,000,000 Elvis Fans Can't Be Wrong" that became an on-and-off part of the album's title originated with a one-page article titled "Can Fifty Million Americans Be Wrong" by Les Brown that appeared in the September 19, 1956, issue of Down Beat magazine.
50,000,000 Elvis Fans Can't Be Wrong – Elvis' Gold Records Volume 2: I Need Your Lovin' Don Gardner, Bobby Robinson: 1971: From Hollywood To Vegas: I Really Don't Want to Know: Howard Barnes, Don Robertson: 1970: Elvis Country (I'm 10,000 Years Old) I Shall Be Released: Bob Dylan: 1971: Walk a Mile in My Shoes: The Essential 70's Masters [1 ...
Elvis (Original Motion Picture Soundtrack) is the soundtrack album to the biographical film Elvis, based on the life of American singer-actor Elvis Presley. The soundtrack was released by RCA Records on June 24, 2022, the same day as the film's theatrical release.
Baz Luhrmann’s “Elvis” is far from being just about Elvis, when it comes to the music in the film and on a forthcoming soundtrack album. Besides the vintage Presley cuts included, the movie ...
The song progresses from F major to B flat major, to D minor to E flat major to F major. The film and its soundtrack are widely considered one of the lowest points of Presley's career. [10] In 2003, Harum Scarum was reissued on Follow That Dream Records in a special edition that contained the original album tracks along with numerous alternate ...
The sum varies from $2 million to $10 million, she says, and as the movie shows, Elvis ultimately decided he couldn’t afford to pay and went back to work for the colonel. Did Priscilla Presley ...
The Spinout sessions still adhered to the same formula of the past four years. Nine songs were recorded for the soundtrack, all of which appeared in the film. Most of the songs derived from the standard pool of songwriters, their publishing rights signed over to Elvis Presley Music and Gladys Music, the companies owned by Elvis and the Colonel. [4]
It was the first film produced by Irwin Winkler, a manager who had impressed Robert O'Brien, head of MGM, during the making of Doctor Zhivago (1965). O'Brien suggested Winkler produce a movie for MGM, and Russell Thatcher, head of the studio's story department, offered the script for Double Trouble, thinking it would make an ideal vehicle for Julie Christie, who had been in Doctor Zhivago.