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The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.
The album Legacy was nominated for Best Pop Instrumental Album in 2010. Hiroshima has sold more than four million albums worldwide. Hiroshima has sold more than four million albums worldwide. In 1990, the band was the opening act for Miles Davis , [ 2 ] and in 1988 they played with T-Square at the Hibiya Open-Air Concert Hall .
Hip-Hop and R&B † - Today's hottest hip-hop and R&B music. Hip-Hop Classics - Old school Hip-hop hits from artists that pioneered the genre of hip-hop. R&B Classics - A variety of funk, soul, and Motown hits from the 1950s to 1990s. R&B Soul † - Urban adult music and sultry, slow jams. Rap (TV-MA) † - Popular rap music upon its hit songs.
Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin
Smooth R&B is mellow R&B. Smooth jazz - a mellower type of jazz, similar to R&B. Slow jam - a ballad commonly marketed as R&B; sometimes has overlap with smooth jazz. Urban adult contemporary - a radio format consisting mostly of R&B music. Some radio stations use "Smooth R&B" as their branding or tagline.
Quiet storm is a radio format and genre of R&B, performed in a smooth, romantic, jazz-influenced style. [1] It was named after the title song on Smokey Robinson's 1975 album A Quiet Storm. [2] The radio format was pioneered in 1976 by Melvin Lindsey, while he was an intern at the Washington, D.C. radio station WHUR-FM.
It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]
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