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The Soweto Gospel Choir was formed in Soweto, South Africa, by David Mulovhedzi and Beverly Bryer, and producers Andrew Kay, David Vigo and Cliff Hocking in 2002. [1] The more than 30-member ensemble blends elements of African gospel, Negro spirituals, reggae and American popular music.
Solly Moholo was considered a pivotal figure in South African gospel music. [2] His music was acclaimed and resonated with millions across the nations of South Africa, Botswana, Zimbabwe, Namibia, and Lesotho. [2] He was descriped to have used his music to fight crime by the premier of Gauteng Panyaza Lesufi amongst others. [4]
In 1984, Nyberg arranged "Siyahamba" for a four-voice setting and published it in a songbook and recording called Freedom is Coming: Songs of Protest and Praise from South Africa. In 1994, GIA Publications included the song (under the title "We Are Marching in the Light of God") in Gather Comprehensive , [ 2 ] a hymnal widely used in American ...
A number of South African "Freedom Songs" had musical origins in makwaya, or choir music, which combined elements of Christian hymns with traditional South African musical forms. The songs were often short and repetitive, using a "call-and-response" structure. [53]
Black gospel music has been traditionally concerned with the African-American quest for freedom. It has provided both "spiritual and communal uplift," first in the fields, and later in the Black Church ; during the 1960s era in the South, it was described as the "soundtrack of the struggle for civil rights ," helping create unity and faith for ...
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
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Yet, in South Africa, the songs take on a different meaning, referring to a unique collection of songs tied to the struggle for racial equality during the 20th century. Stylistically, freedom songs originated in choir as a unifying and prevalent genre that combined southern African singing traditions with Christian hymns.