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A portable folding reflector positioned to "bounce" sunlight onto a model. Reflectors vary enormously in size, colour, reflectivity and portability. In tabletop still life photography, small mirrors and card stock are used extensively, both to reduce lighting contrast and create highlights on reflective subjects such as glassware and jewelry.
Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects , potentially changing aspects of the photograph such as ...
The beauty dish is used in portrait and fashion photography, because it is the best modifier for concentrating light on a subject and creating a better image than other modifiers. Because the beauty dish wraps the light around the subject it gives the image a better contrast and highlights angles that other modifiers wouldn't be able to ...
Reflectors, including umbrellas, flat-white backgrounds, drapes and reflector cards are commonly used for this purpose (even with small hand-held flash units). Bounce flash is a related technique in which flash is directed onto a reflective surface, for example a white ceiling or a flash umbrella, which then reflects light onto the subject. It ...
A studio portrait, showing the characteristic illuminated triangle on the darker side of the face. Rembrandt lighting is a standard lighting technique that is used in studio portrait photography and cinematography; it is also used in contrast with butterfly lighting [1] It can be achieved using one light and a reflector, [2] or two lights, and is popular because it is capable of producing ...
Reflecting diffusers for photography are generally called "reflectors". In effect, the light will not come from one concentrated source (like a spotlight), but rather will spread out, bounce from reflective ceilings and walls, thus getting rid of harsh light, and hard shadows.
An alternative to using a direct light source as a fill is to re-direct or "bounce" the key light towards the subject by using a reflector. When used with artificial key light it can be difficult to place a reflector where it can both catch and reflect the light and have it bounce back onto the subject at the ideal "neutral" near-axis angle ...
This will limit the selection of shutter speeds, and may require the use of shades or reflectors to manipulate the light. It can also influence the time, location, and even orientation of the photo shoot to obtain the desired lighting conditions. Available light can often also produce a color cast with color photography.
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