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The Dixie Mafia is featured in the American TV shows Justified, Claws, The Righteous Gemstones and Young Sheldon. [17] [18] [19] It is an antagonist gang in the video game Mafia III. The fictitious leader of the Dixie Mafia in the game, Ritchie Doucet, is a prominent antagonist in the early section of the game.
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The former was released as a single, while "A Country Boy Can Survive" was re-released. Both songs were made into music videos in 2006. The album debuted at No. 3 on the Billboard Country Albums chart and has been certified Gold by the RIAA, giving him the 23rd Gold album of his career.
"Georgia" is a single by Southern hip hop duo Field Mob and Atlanta-based rapper Ludacris featuring R&B singer Jamie Foxx, with production by DJ Vudu Spellz. It first appeared on Ludacris Presents: Disturbing tha Peace , a compilation album released by Ludacris' own Disturbing tha Peace record label, showcasing the company's new talent as of 2006.
The Georgian mafia (Georgian: ქართული მაფია, romanized: kartuli mapia) is an organized crime network in Europe, which has produced the largest number of "thieves in law" in all former USSR countries and controls and regulates most of the Russian-speaking and fully controls Russia and Georgia mafia groups. [1]
The Simon City Royals, also known as the Almighty Simon City Royal Nation, are a street and prison gang which began in Chicago during 1952 as Simon City, a greaser gang. They named themselves for Simons Park, which is located on the corner of Drake and Wabansia in the Humboldt Park neighborhood where they originally formed.
Full Blooded Niggaz is the second album by the Ghetto Mafia.It was released on October 10, 1995 through Triad Records and was produced by POR Productions, a three-man production team consisting of Carl Dorsey, Edgar Hinton and Lance McLendon who also wrote most of the songs on the album.
Champagne Jam is an album by the American band Atlanta Rhythm Section, released in 1978. The single " Imaginary Lover " was the band's second Top 10 hit, peaking at #7 in the U.S. and #9 in Canada. The album itself was the band's most commercially successful, peaking at number 7 on the Billboard 200 .