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The style and appearance of the dragon was heavily influenced by the Chinese dragon, especially the three-clawed long (龍) dragons which were introduced in Japan from China in ancient times. [ 1 ] : 94 Like these other East Asian dragons, most Japanese ones are water deities or kami [ 2 ] associated with rainfall and bodies of water, and are ...
Mizuchi is also the Japanese transliteration for several Chinese glyphs, [3] each glyph putatively representing a type of Chinese dragon: namely the jiāolóng (蛟竜; Japanese: kōryū) or "4-legged dragon", the qiúlóng (虬竜 or 虯竜; Japanese: kyūryū) or "hornless dragon" and the chīlóng (螭竜; Japanese: chiryū) or "yellow dragon".
Two other Japanese examples derive from Buddhist importations of Indian dragon myths. Benzaiten, the Japanese form of Saraswati, supposedly killed a five-headed dragon at Enoshima in 552. Kuzuryū (九頭龍, "nine-headed dragon"), deriving from the nagarajas (snake-kings) Vasuki and Shesha, is worshipped at Togakushi Shrine in Nagano Prefecture.
Pages in category "Japanese dragons" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes. Japanese dragon; B.
Ryūjin shinkō (竜神信仰, "dragon god faith") is a form of Shinto religious belief that worships dragons as water kami. It is connected with agricultural rituals, rain prayers, and the success of fishermen. The god has shrines across Japan and especially in rural areas where fishing and rains for agriculture are important for local ...
The anagama kiln (Japanese Kanji: 穴窯/ Hiragana: あながま) is an ancient type of pottery kiln brought to Japan from China via Korea in the 5th century. It is a version of the climbing dragon kiln of south China, whose further development was also copied, for example in breaking up the firing space into a series of chambers in the ...
The name Kuraokami combines kura 闇 "dark; darkness; closed" and okami 龗 "dragon tutelary of water". This uncommon kanji (o)kami or rei 龗, borrowed from the Chinese character ling 龗 "rain-dragon; mysterious" (written with the "rain" radical 雨, 3 口 "mouths", and a phonetic of long 龍 "dragon") is a variant Chinese character for Japanese rei < Chinese ling 靈 "rain-prayer ...
Eventually, the Dragon Palace undersea became the standard in modern tellings of the Urashima tale. [20] A canonical example by the Taisho Era, according to one researcher, was the edition by Mori Rintarō (novelist Mori Ōgai ) and others, published 1920–1921, whose illustration shows Urashima and the turtle peeing underneath at the palace.
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