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Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, seminaries, etc.It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions.
This type of plan was also to later play a part in the development of church architecture in Western Europe, most notably in Bramante's plan for St Peter's Basilica [3] [11] [better source needed] and Christopher Wren's design for St Paul's Cathedral. Most cathedrals and great churches have a cruciform groundplan.
1914 Akron Plan church. The polygonal projection at left holds six Sunday-school rooms. [1] The Akron Plan was a scheme for the design of churches and other religious buildings that housed Sunday schools. It was characterized by a set of wedge-shaped classrooms that radiated from the direction of a central superintendent's platform.
Sharan Architecture+Design. Parametric design is a design method in which features, such as building elements and engineering components, are shaped based on algorithmic processes rather than direct manipulation. In this approach, parameters and rules establish the relationship between design intent and design response.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
Cathedral oriented to the east. The arrow indicates the west front entrance. The orientation of a building refers to the direction in which it is constructed and laid out, taking account of its planned purpose and ease of use for its occupants, its relation to the path of the sun and other aspects of its environment. [1]
In the later Gothic periods, the windows were larger and were painted with more sophisticated techniques. They were sometimes covered with a thin layer of coloured glass, and this layer was carefully scratched to achieve finer shading, giving the images greater realism. This was called flashed glass. Gradually the windows came more and more to ...
This is an arch which separates the chancel from the nave and transept of a church. [4] If the chancel, strictly defined as choir and sanctuary, does not fill the full width of a medieval church, there will usually be some form of low wall or screen at its sides, demarcating it from the ambulatory or parallel side chapels.