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Woman in Sacred Song : a library of hymns, religious poems, and sacred music, by woman is an illustrated book of 880 quarto pages compiled by Eva Munson Smith with preface by Frances E. Willard, first published in 1885 in Boston by D. Lothrop & Company. [1]
Denise Levertov wrote many poems with religious themes throughout her career. These poems range from religious imagery to implied metaphors of religion. One particular theme was developed progressively throughout her poetry. This was the pilgrimage/spiritual journey of Levertov towards the deep spiritual understanding and truth in her last poems.
Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England (published 1 September 1773) is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published.
"Bread and Roses" is a political slogan as well as the name of an associated poem and song. It originated in a speech given by American women's suffrage activist Helen Todd; a line in that speech about "bread for all, and roses too" [1] inspired the title of the poem Bread and Roses by James Oppenheim. [2]
Hannah More (2 February 1745 – 7 September 1833) was an English religious writer, philanthropist, poet, and playwright in the circle of Johnson, Reynolds and Garrick, who wrote on moral and religious subjects.
Pages in category "Religious poetry" ... Woman in Sacred Song This page was last edited on 9 April 2023, at 13:11 (UTC). Text is available under the Creative ...
Political poetry can impact readers because both politics and poetry express views, with political poetry often defined as being: "a specific political situation; rooted in an identifiable political philosophy; addressing a particular political actor; written in language that can be understood and appreciated by its intended audience; and ...
Religious Musings deals with many political and religious issues with topics including the British Parliament, slavery, God and the French Revolution, property rights, and atheism. [6] One of the issues within the poem and in Coleridge's lectures in 1794 and 1795 was to criticize the notion that peace could be won during the French Revolution ...