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The word xicalcoliuhqui (Nahuatl pronunciation: [ʃikaɬkoˈliʍki]) means "twisted gourd" (xical- "gourdbowl" and coliuhqui "twisted") in Nahuatl. [1] [2] [10] The motif is associated with many ideas, and is variously thought to depict water, waves, clouds, lightning, a serpent or serpent-deity like the mythological fire or feathered serpents, as well as more philosophical ideas like cyclical ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. A motif thematically associated with a person, place, or idea is called a leitmotif or idée fixe. [7] Occasionally such a motif is a musical cryptogram of the name involved.
Key pattern is the generic term for an interlocking geometric motif made from straight lines or bars that intersect to form rectilinear spiral shapes. [ 1 ] [ 2 ] [ 3 ] According to Allen and Anderson, the negative space between the lines or bars of a key pattern “resemb[es] the L- or T-shaped slots in an ordinary key to allow it to pass the ...
Key signatures can theoretically be extended through double flats or double sharps and beyond, but this is extremely rare. For example, the key of G ♯ major would have eight sharps, requiring six single sharps and an F double-sharp (F). The key of A ♭ major, with four flats, is enharmonically equivalent and would generally be used instead.
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The motif is based on the German musical nomenclature, however the initials of the composer’s name appear partially in German and in Italian version, instead of Philipp as Filippo. The C. F. E. BACH motif appears in an unpublished Fughetta in F major of C. Ph. E. Bach, found in the Brussels Conservatorium .
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