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The embroidery techniques, such as buttonhole stitch and cut-pile embroidery, are often simple, but their intricate effects are a result of the skill-level and final pattern design used. For example, hemmed appliqué is a simple technique still used today where raphia cloth pieces are cut into designs and sewn onto the base fabric. The ...
The cloth is made from hand-spun white and indigo cotton, and decorated with weft-float designs that depict water spirits, animals, plants, and other motifs. The cloth is used as a title cloth for the Ogboni/Oshugbo society, which is a powerful and secretive association of elders and leaders in Yoruba society.
A geometric pattern woven in the past by adding red or black threads into the light thread was later imitated by embroidery and believed to have the power to protect a person from all harm. [ 10 ] : 278 There is a saying in Ukrainian "Народився у вишиванці" which is translated as somebody was born wearing vyshyvanka, so that ...
African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
After studying fashion design in England in the 1950s, prior to Nigerian independence, she set up a shop at the Federal Palace Hotel in Lagos and a garment factory at the Yaba Industrial Estate. Specializing in simple designs using locally woven and dyed textiles, she became locally and internationally known in the 1960s and 1970s. [7]
Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
In Halychyna, there is a variety of embroidery styles that were specific for individual localities, such that when one sees a piece of embroidery there is no mistaking its origin. [4] Volhynian clothing was mainly embroidered with red or black threads; the predominant motifs of the region are geometric plant ornaments.
The now trademark dashiki design was born from the "Angelina print", a wax print pattern by Dutch designer Toon van de Mannaker for Netherlands-based Vlisco, whose designs are "inspired by Africa". [3] [4] The exact inspiration for the Angelina print pattern was traditional silk embroidered tunics worn by Ethiopian women.
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