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Holt McDougal is an American publishing company, a division of Houghton Mifflin Harcourt, that specializes in textbooks for use in high schools.. The Holt name is derived from that of U.S. publisher Henry Holt (1840–1926), co-founder of the earliest ancestor business, but Holt McDougal is distinct from contemporary Henry Holt and Company, which claims the history from 1866.
The publisher said, ". . . in Holt Biology Texas of the Miller–Urey experiment carefully indicates the mistakes made in the assumptions about the early atmosphere. Throughout Holt Biology Texas, the theory of evolution is described as a true scientific theory that will be refined and improved in the light of new evidence." [41]
Why Zebras Don't Get Ulcers is a 1994 (2nd ed. 1998, 3rd ed. 2004) book by Stanford University biologist Robert M. Sapolsky. The book includes the subtitle "A Guide to Stress, Stress-related Diseases, and Coping" on the front cover of its third edition.
The book's title is similar to a 1995 book title, The Sixth Extinction by Richard Leakey and Roger Lewin. Also included are excerpts from interviews with a forest ecologist, atmospheric scientist Ken Caldeira, wildlife and conservation experts, a modern-day geologist, and fungus researchers in New England and New York State. [4] [6]
The Devil's Teeth: A True Story of Obsession and Survival Among America's Great White Sharks is a non-fiction book about great white sharks by Canadian born journalist Susan Casey. The text was initially published by Henry Holt and Company on June 7, 2005.
Dr Tatiana receives letters from various creatures about their sex lives, and responds by explaining the biology of sex to creatures concerned. The book grew out of the article "Sex Is War!" she had written for the Economist in 1997. It became an international best-seller and was nominated for the Samuel Johnson Prize for Non-Fiction in 2003. [1]
This page was last edited on 24 February 2022, at 23:06 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Holt reminds us that no exploration of being — especially human being — can be separated from the human who undertakes it, complete with character and the play of moods. Updike felt that the universe had “a color, a quiet but tireless goodness that things at rest, like a brick wall or a small stone, seem to affirm.”
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