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An image of the painting is difficult to fully capture with photography, particularly in the attempt to duplicate the intensity of the reflected orange and red sunset light which sparkles with scumbled paint. [2] "The painting seems to exude a rosy light that reaches out to the viewer as [one] bends forward to examine the surface", writes Gregg ...
The Cleveland Painting is one of the Cleveland Museum of Art's oldest dated Chinese painting, acquired in 1933. [2] It depicts the misty riverscape of the Yangtze Delta . [ 2 ] As a result of the turmoil during the Jin-Song war, Mi Youren fled the scene where upon the encounter of the landscape, he painted this piece on September 11, 1130.
Albrecht Altdorfer produced the very first pure landscapes in the history of European art. [1] Only five surviving landscape paintings are generally accepted to have been painted by Altdorfer. [2] Two of them, one in Munich (30.5 × 22.2 cm) and one in London (41.2 × 35.5 cm), were painted in oils on parchment glued on wood.
A View of the Two Lakes and Mountain House, Catskill Mountains, Morning: 1844 Oil on canvas 91 by 136.9 centimetres (35.8 in × 53.9 in) Brooklyn Museum, New York [110] American Lake Scene: 1844 Oil on canvas 46.4 by 62.2 centimetres (18.3 in × 24.5 in) Detroit Institute of Arts, Michigan [111] The Mill, Sunset: 1844 Oil on canvas
View Near Newport: 1859 Oil on milkboard 30.5 cm × 45.7 cm (12 in × 18 in) Currier Museum of Art, Manchester, NH IAP 80330005 [8] color image: Swiss Mountain Scene (or Rocky Mountain Scene) 1859 Oil on canvas 60 cm × 85 cm (23.6 in × 33.5 in) Herbert F. Johnson Museum of Art, Cornell University IAP 35010066: view: The Trout Brook: 1859
Sunset in the Berkshire Hills: 1857: Oil on canvas: 28 + 1 ⁄ 2 in × 35 in (720 mm × 890 mm) Woodmere Art Museum, Philadelphia View of Cotopaxi: 1857: Oil on canvas: 62.2 × 92.7 cm: Art Institute of Chicago, Illinois View on the Magdalena River: 1857: Oil on canvas: 23 + 3 ⁄ 4 in × 36 in (600 mm × 910 mm) Virginia Museum of Fine Arts ...
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[2] [4] Van Gogh could also see an enclosed wheat field, subject of many paintings at Saint-Rémy. [5] As he ventured outside the asylum walls he painted the wheat fields, olive groves and cypress trees of the surrounding countryside, [4] which he saw as "characteristic of Provence". Over the course of the year, he painted about 150 canvases. [2]
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