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Spanish generally uses adjectives in a similar way to English and most other Indo-European languages. However, there are three key differences between English and Spanish adjectives. In Spanish, adjectives usually go after the noun they modify. The exception is when the writer/speaker is being slightly emphatic, or even poetic, about a ...
[3] [4] The 5000 words in Davies' list are lemmas. [5] A lemma is the form of the word as it would appear in a dictionary. [6] Singular nouns and plurals, for example, are treated as the same word, as are infinitives and verb conjugations. The table below includes the top 100 words from Davies' list of 5000.
Spanish adjectives can be broadly divided into two groups: those whose lemma (the base form, the form found in dictionaries) ends in -o, and those whose lemma does not. The former generally inflect for both gender and number; the latter generally inflect just for number. Frío ("cold"), for
Spanish is a pro-drop language with respect to subject pronouns, and, like many European languages, Spanish makes a T-V distinction in second person pronouns that has no equivalent in modern English. Object pronouns can be both clitic and non-clitic, with non-clitic forms carrying greater emphasis.
In Spanish, grammatical gender is a linguistic feature that affects different types of words and how they agree with each other. It applies to nouns, adjectives, determiners, and pronouns. Every Spanish noun has a specific gender, either masculine or feminine, in the context of a sentence.
Some Spanish-speaking people advocate for the use of the pronouns elle (singular) and elles (plural). [14] Spanish often uses -a and -o for gender agreement in adjectives corresponding with feminine and masculine nouns, respectively; in order to agree with a gender neutral or non-binary noun, it is suggested to use the suffix -e.
For example, a diminutive form of el coche 'car' is el cochecito 'baby carriage' while the diminutive form of el carro 'car' formed from the same suffix is el carrito 'shopping cart'. Some Spanish nouns can take a large number of affective suffixes, creating words with subtle differences in meaning or connotation.
Douglas Hofstadter discusses the problem of translating a palindrome into Chinese, where such wordplay is theoretically impossible, in his book Le Ton beau de Marot [10] – which is devoted to the issues and problems of translation, with particular emphasis on the translation of poetry. Another example given by Hofstadter is the translation of ...