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Prior to independence, Senegalese popular music consisted of nightclub dance bands that played European music, namely American and French songs.As independence approached and the country sought to move away from its colonial past, the popular music of Senegal began to be influenced by the Cuban music that was becoming popular throughout Africa.
In 1992, World Circuit reissued the 1978 Paris sessions on one CD, and in 1993 Stern's Music, another London-based world music label, released Bamba, a compilation of the band's 1981 albums. In 1998, the band's debut album, along with several bonus tracks recorded between 1970 and 1971, were released in the Netherlands as N'Wolof .
Download as PDF; Printable version; ... (11 C, 10 P) S. Senegalese songs ... Pages in category "Music of Senegal" The following 8 pages are in this category, out of 8 ...
A group of musicians at the village of Mbour, playing a kora, a gongoba drum and a guitar.. The Wolof, the largest ethnic group in Senegal, have a distinctive musical tradition that, along with the influence of neighboring Fulani, Tukulor, Serer, Jola, and Mandinka cultures, has contributed greatly to popular Senegalese music, and to West African music in general.
West African music is arguably the most famous version of African music. The diverse sounds and energies that make up the music and a little of language backing has led to an own original Afrobeat genre of music that has the whole respecting it. Afro music is known for its famous log drums and Shekere shakers that play throughout the songs.
" Le Lion rouge" (Wolof: Gayndeg sibi xiiru na; English: "The Red Lion"), more commonly known by its incipit "Pincez tous vos koras, frappez les balafons" (Wolof: Yëngalleen kooraa yi, te jiin ndënd yi; English: "Everyone strum your koras, strike the balafons") is the national anthem of Senegal. It was adopted in 1960.
Mbalax (or mbalakh) is the urban dance music of Senegal, Mauritania and the Gambia.The musical style is rooted in the indigenous instrumental and vocal styles accompanied by polyrhythmic sabar drumming of the Wolof, a social identity that includes both the original Wolof people of the Greater Senegambia region and the urban panethnic identity that arose during colonialism.
The akonting ([ə'kɔntiŋ], [1] or ekonting in French transliteration) is the folk lute of the Jola people, found in Senegal, Gambia, and Guinea-Bissau in West Africa.It is a string instrument with a skin-headed gourd body, two long melody strings, and one short drone string, akin to the short fifth "thumb string" on the five-string banjo.