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State Philharmonic Hall, Kaunas (Edmundas Alfonsas Frykas, 1929), neoclassical style building with bright Art Deco architectural elements Vytautas the Great War Museum and M. K. Čiurlionis National Art Museum palace, Kaunas ( Vladimir Dubenecki , 1936)
Art Deco, short for the French Arts décoratifs (lit. ' Decorative Arts '), [1] is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s (just before World War I), [2] and flourished in the United States and Europe during the 1920s to early 1930s.
Exterior of the Sistine Chapel. The chapel is about 35 metres (118 feet) long and 14 m (46 ft) wide, [15] with the ceiling rising to about 20 m (66 ft) above the main floor. [9]: 28 [16] Its exterior is unadorned by architectural or decorative details, as is common in many Italian churches of the Medieval and Renaissance eras. It has no ...
Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts originating in the Second French Empire. It was characterized by elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The yellow salon of Queen Louise of Prussia in the City Palace, Potsdam (c.1840), by Friedrich Wilhelm Klose (1804–1863). The interior portrait (portrait d'intérieur) or, in German, Zimmerbild (room picture), is a pictorial genre that appeared in Europe near the end of the 17th century and enjoyed a great vogue in the second half of the 19th century.
The term "International Style" was first used in 1932 by the historian Henry-Russell Hitchcock and architect Philip Johnson to describe a movement among European architects in the 1920s that was distinguished by three key design principles: (1) "Architecture as volume – thin planes or surfaces create the building’s form, as opposed to a solid mass"; (2) "Regularity in the facade, as ...
Interior doors often had clusters of ornaments at the top, or a big cartouche with a painting inside. Entrances tend to have shell-shaped glass and metal awnings (Romanian: marchize) on the exterior, for protecting the door from weather, but also to make the entrance more monumental. Some entrances also had small green house-like rooms, with ...
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