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During that time Black Ivory toured, and changed their management and record company. Now signed to Buddah Records, Black Ivory's first album on the new label entitled, Feel It was produced by Black Ivory ( Leroy Burgess , Stuart Bascombe and Russell Patterson ), Robert John and Mike Gately. [ 1 ]
In 1974, Billboard's writer Bob Ford, stated that Black Ivory were one of the best up and coming R&B acts. [8] Early in their career, Black Ivory's songs were covered by other artists on Today/Perception, a common practice with the label. Label-mates J.J. Barnes, The Eight Minutes, Debbie Taylor, and Lucky Peterson all covered Black Ivory tunes.
Black Ivory's debut single, "Don't Turn Around", was released in April 1971 and serves as the title track of their debut album. The song entered the Billboard Soul singles chart in November 1971, reaching its peak at No. 38 in January 1972. [ 2 ]
Jonathan Arons, who is also known as the "dancing trombonist," stole the show at a wedding reception on Nov. 15. The Grammy-winning musician and entertainer wowed wedding guests with his animated ...
WEDDING PHOTOS: Take a peek inside the big day According to the Sun , though, Markle's outfit is being called a "fashion faux pas," as black is usually considered too "somber" to be worn to an ...
A string trimmer, also known by the portmanteau strimmer and the trademarks Weedwacker, Weed Eater and Whipper Snipper, [1] [a] is a garden power tool for cutting grass, small weeds, and groundcover. It uses a whirling monofilament line instead of a blade, which protrudes from a rotating spindle at the end of a long shaft topped by a gasoline ...
Taylor Swift and Travis Kelce are living in a wonderland — and they dressed like it, too. Swift and Kelce, both 34, stepped out on Saturday, September 7, at the New York City wedding of model ...
"Ebony and Ivory" is a song that was released in 1982 as a single by Paul McCartney featuring Stevie Wonder. It was issued on 29 March that year as the lead single from McCartney's third solo album, Tug of War (1982). Written by McCartney, the song aligns the black and white keys of a piano keyboard with the theme of racial harmony.