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A IX monogram from a 4th century Sarcophagus from Constantinople. An early form of the monogram of Christ, found in early Christian ossuaries in Palaestina, was formed by superimposing the first (capital) letters of the Greek words for Jesus and Christ, i.e. iota Ι and chi Χ, so that this monogram means "Jesus Christ". [7]: 166
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
The Chi-Rho, a monogram of the first two letters of the Greek word for Christ. A monogram is a motif made by overlapping or combining two or more letters or other graphemes to form one symbol. Monograms are often made by combining the initials of an individual or a company, used as recognizable symbols or logos.
A IX monogram from a 4th century Sarcophagus from Constantinople. An early form of the monogram of Christ, found in early Christian ossuaries in Palaestina, was formed by superimposing the first (capital) letters of the Greek words for Jesus and Christ, i.e. iota Ι and chi Χ, so that this monogram means "Jesus Christ".
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
The Chi Rho (☧, English pronunciation / ˈ k aɪ ˈ r oʊ /; also known as chrismon [1]) is one of the earliest forms of the Christogram, formed by superimposing the first two (capital) letters—chi and rho (ΧΡ)—of the Greek ΧΡΙΣΤΟΣ (rom: Christos) in such a way that the vertical stroke of the rho intersects the center of the chi.
He was the first printmaker to sign his prints with an engraved monogram, which was standard practice on significant pieces of metalwork. He engraved two images of Saint Eligius, the patron-saint of goldsmiths. He liked to fill his engravings with decorative detail, sometimes overloading the composition, and only slowly does a sense of volume ...
Chenille letters come in many different forms and shapes. Some institutions use Old English or script style, two or three-letter monogram, 3D shading, chenille bordered or the traditional straight block style. Students generally receive only one actual letter but can win the distinction multiple times.