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In a fraction, the number of equal parts being described is the numerator (from Latin: numerātor, "counter" or "numberer"), and the type or variety of the parts is the denominator (from Latin: dēnōminātor, "thing that names or designates"). [2] [3] As an example, the fraction 8 / 5 amounts to eight parts, each of which is of the ...
The value of 5 1 ⁄ 8 ·35 1 ⁄ 3 is very close to 4, which is why a 7-limit interval 6144:6125 (which is the difference between the 5-limit diesis 128:125 and the septimal diesis 49:48), equal to 5.362 cents, appears very close to the quarter-comma ( 81 / 80 ) 1 ⁄ 4 of 5.377 cents.
In arithmetic and algebra, the seventh power of a number n is the result of multiplying seven instances of n together. So: n 7 = n × n × n × n × n × n × n.. Seventh powers are also formed by multiplying a number by its sixth power, the square of a number by its fifth power, or the cube of a number by its fourth power.
The ordinal category are based on ordinal numbers such as the English first, second, third, which specify position of items in a sequence. In Latin and Greek, the ordinal forms are also used for fractions for amounts higher than 2; only the fraction 1 / 2 has special forms.
43-Tone equal temperament approximates 1/5-comma meantone, a modified meantone tuning used during the Baroque period. By tuning the perfect fifths flat by one-fifth of a syntonic comma, the major thirds are sharp by almost exactly the same amount, while the minor thirds are flat by twice that amount, or two-fifths of the syntonic comma.
This system results in "two thirds" for 2 ⁄ 3 and "fifteen thirty-seconds" for 15 ⁄ 32. This system is normally used for denominators less than 100 and for many powers of 10 . Examples include "six ten-thousandths" for 6 ⁄ 10,000 and "three hundredths" for 0.03.
This produces two main chord types: the suspended second (sus2) and the suspended fourth (sus4). The chords, C sus2 and C sus4, for example, consist of the notes C–D–G and C–F–G, respectively. There is also a third type of suspended chord, in which both the second and fourth are present, for example the chord with the notes C–D–F–G.
In musical tuning theory, a Pythagorean interval is a musical interval with a frequency ratio equal to a power of two divided by a power of three, or vice versa. [1] For instance, the perfect fifth with ratio 3/2 (equivalent to 3 1 / 2 1 ) and the perfect fourth with ratio 4/3 (equivalent to 2 2 / 3 1 ) are Pythagorean intervals.