Search results
Results from the WOW.Com Content Network
Propaganda activities in Japan have been discussed as far back as the Russo-Japanese War of the first decade of the 20th century. [2] Propaganda activities peaked during the period of the Second Sino-Japanese War and World War II. [3] [4] Scholar Koyama Eizo has been credited with developing much of the Japanese propaganda framework during that ...
The artists were creating sensō sakusen kirokuga, 戦争作戦記録画 ("war campaign documentary painting") for the government of Japan. [ 2 ] Official war artists have been appointed by governments for information or propaganda purposes and to record events on the battlefield; [ 3 ] but there are many other types of artists depicting the ...
The Metropolitan Museum of Art, [16] The Johann Jacobs Museum [17] (Zurich), the Edward Thorp Gallery [18] in New York City, and the Saint Louis Art Museum [19] have mounted exhibits that have included propaganda kimono. The Boston Museum of Fine Arts received a significant donation of wartime and other omoshirogara kimono from an American ...
Japan Osaka: Museum of Oriental Ceramics, Osaka: Ceramics and pottery [1] Japan Tokyo: National Museum of Modern Art, Tokyo [1] Japan Tokyo Suntory Museum of Art [1] Japan Tokyo Tokyo National Museum: Art, archaeology and history [1] Japan Tokyo Yamatane Museum: 1,800 Japan Osaka National Museum of Art, Osaka: 8,200 (As of February 2022) Modern ...
Although Japan's light industry had secured a share of the world market, Japan returned to debtor-nation status soon after the end of the war. The ease of Japan's victory, the negative impact of the Shōwa recession in 1926, and internal political instabilities helped contribute to the rise of Japanese militarism in the late 1920s to 1930s.
The Museum of International Propaganda features a permanent collection of propaganda posters, paintings, sculptures, and artifacts from more than 25 countries. The main gallery showcases unique and educational images, representing the political art of various nations, including North Korea, Cuba, Nazi Germany, China, Iran, and the Soviet Union. [1]
(kept at the National Museum of Modern Art, Tokyo) materials and techniques of western oil painting applied to the Japanese subject of a white-robed Kannon, holding a willow branch in one hand and a water jar in the other [5] 272.0 centimetres (107.1 in) by 181.0 centimetres (71.3 in)
The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century. They comprise the oldest extant non-primitive paintings in Japan.