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Phan Thị Mỹ Tâm (born 16 January 1981 in Da Nang), commonly known as Mỹ Tâm, is a Vietnamese singer and songwriter. [1] She is one of the most successful Vietnamese singers for two decades (2000s and 2010s), the most popular Vietnamese singer on Spotify in 2021.
Quang Lê was born in Vietnam, 1975), with family roots from Central Vietnam in the City of Huế. [1] His Vietnamese accent is “Huế (central accent),” one of the main Vietnamese dialects in Vietnam, but he is able to imitate the southern accent, and he sings with a mixed accent.
"Tiến Quân Ca" (lit. "The Song of the Marching Troops") is the national anthem of Vietnam.The march was written and composed by Văn Cao in 1944, and was adopted as the national anthem of the Democratic Republic of Vietnam in 1946 (as per the 1946 constitution) and subsequently the Socialist Republic of Vietnam in 1976 following the reunification of Vietnam.
Nguyễn Thanh Tùng (born 5 July 1994), known professionally as Sơn Tùng M-TP ([s̪əːn˧ tuŋ͡m˨˩ ɛm˧ ti:˧ bi:˧]), is a Vietnamese singer-songwriter and actor.Born and raised in Thái Bình, Thái Bình province, his family discovered his singing ability when he was two years old.
The anthem was originally named La Marche des Étudiants (March of the Students), composed by Lưu Hữu Phước and written by Mai Văn Bộ in late 1939, and first adopted by a student club. In 1941, it became the anthem of the Indochina Students General Association, Phước renamed the anthem as Tiếng Gọi Thanh Niên ( Call to the ...
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
Nguyễn Phú Quang (13 October 1949 – 8 December 2021), known popularly simply as Phú Quang, was an influential Vietnamese composer, primarily known for his love songs and songs about Hanoi.
Variations on "Là ci darem la mano" was Chopin's first work for piano with orchestra. In his early career he wrote two piano concertos and three other concertante pieces, but always remained relatively indifferent to the orchestral elements of these works, often using the orchestra as a mere accompaniment to the much more brilliant piano part.