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The primary act of carnival is the mock crowning and subsequent de-crowning of a carnival king. It is a "dualistic ambivalent ritual" that typifies the inside-out world of carnival and the "joyful relativity of all structure and order". [3] The act sanctifies ambivalence toward that which is normally considered absolute, single, or monolithic.
For starters, Mardi Gras traditions are in full effect in the Big Easy and many parts of the world like Brazil, Italy, and Trinidad and Tobago on the last Tuesday before Lent — the six-week ...
“Things change. And friends leave. Life doesn’t stop for anybody.” — Stephen Chbosky, “The Perks of Being a Wallflower” “We cannot change what we are not aware of, and once we are ...
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Carnival of Cádiz is a sociological phenomenon of special singularity. Its historical evolution, from its most remote origins until today, has endowed it with a marked rebellious character. In addition, the development of their groups (mainly their choirs, chirigotas, comparsas and quartets) differentiates them from other carnivals in the ...
2010 – Tenerife, Carnival History: At first the theme was "History of Mankind"; after a policy change in the city, it was changed to "Tenerife, story of a carnival". 2011 – Enrique González and Canary murgas: This year honored Don Enrique González, the "father of street musicians", founder of several acts of the carnival.
The Carnival of Paris is a festival with a very long history in the French capital. Nicolas de Baye wrote in his journal in 1411: Nicolas de Baye wrote in his journal in 1411: "Monday, the 22nd of February, the royal household, in order to observe the Lenten feast, will be rising before dawn [to prepare]" .
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