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This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain . Although it is free of copyright restrictions, this image may still be subject to other restrictions .
Hmong women at a market in Sapa, Vietnam. Hmong Textile Art consists of traditional and modern textile arts and crafts produced by the Hmong people.Traditional Hmong textile examples include hand-spun hemp cloth production, basket weaving, batik dyeing, and a unique form of embroidery known as flower cloth or Paj Ntaub in the Hmong language RPA.
These fabrics are produced for mass consumption and stand for ephemerality and caducity. Fancy Fabrics are more intense and rich in colours than wax prints and are printed on only one side. As for wax prints, producer, product name and registration number of the design are printed on the selvage. Even the fancy fabrics vary with a certain fashion.
To make cloth raffia fabric, fibres from raphia palm trees are harvested, the upper skin is stripped and left to dry in the sun. The fibre is then woven into skirts and wraps. Raphia weaving is also concentrated in the eastern part of Madagascar where contemporary haklkat raphia wraps are tie-dyed with multiple colors.
In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. [1]
Canvas is a popular base fabric for embroidery such as cross-stitch and Berlin wool work. [9] Some specific types of embroidery canvases are Aida cloth (also called Java canvas [10]), Penelope canvas, Chess canvas, and Binca canvas. [11] [12] [13] Plastic canvas is a stiffer form of Binca canvas. [14]
Several techniques were used to produce fabric, including plain weave, tapestry weave, and scroll weave. Smaller woven pieces produced on the same loom were often stitched together to create a larger fabric. Borders of embroidered tunics and mantles are often decorated with yarn tassels or fringe. [14]
The drawing of Malaysian batik. The origin of batik production in Malaysia it is known trade relations between the Melayu Kingdom in Jambi and Javanese coastal cities have thrived since the 13th century, the northern coastal batik producing areas of Java (Cirebon, Lasem, Tuban, and Madura) has influenced Jambi batik.
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