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Maurice Braun (1877–1941) was an American artist who became known for his Impressionist landscapes of Southern California. He was born in Hungary on October 1, 1877; however, by the age of four, young Maurice and the Braun family had migrated to United States, and settled in New York City .
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1941, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer .
Joan Miró (1893–1983), 9 paintings (Ciphers and Constellations, in Love with a Woman): Artic; Joan Mitchell (1925–1992), 1 painting : Artic; Miyagawa Chôshun, 1 painting : Artic; Amedeo Modigliani (1884–1920), 3 paintings (Jacques and Berthe Lipchitz): Artic; László Moholy-Nagy (1895–1946), 2 paintings : Artic
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. “The Adoration of the ...
For painters with more than one painting in the WGA collection, or for paintings by unnamed or unattributed artists, see the Web Gallery of Art website or the corresponding Wikimedia Commons painter category. Of the 2,463 painters in the WGA database, over a quarter are Italians and about a third were born in the 17th century, and they are ...
Morrice's paintings before the turn of the century are thinly painted and inspired by Whistler, both in sentiment and in treatment of colour.Just prior to World War I he began to paint, in a thicker style, winter Canadian scenes influenced by the Impressionists and particularly by Maurice Cullen, whom he met in 1897. [8]
Scooter Braun is retiring as a music manager after 23 years. The manager and music executive, 42, who has managed the careers of superstars including Justin Bieber, Ariana Grande, and Demi Lovato ...
The subject was a frequent one in the Dutch Golden Age, most famously Vermeer's work of the same title, and was a common allegory for the five senses in Baroque art. [2] Fragonard converts the subject into a fête galante scene of dreamy love, with the young music teacher courting his pupil and looking at her cleavage.